Sample Lesson Plans
Lesson title: |
Grid Self Portrait |
Estimated time for completion: |
3 weeks |
State or national standards addressed: |
VA:Cr1.1.1 a. Use multiple approaches to begin creative endeavors. VA:Cr1.2.I a. Shape an artistic investigation of an aspect of present day life using a contemporary practice of art or design. VA:Re8.1.I a. Shape an artistic investigation of an aspect of present day life using a contemporary practice of art or design. VA:Cn11.1.I a. Describe how knowledge of culture, traditions, and history may influence personal responses to art. |
Measurable student objectives (“I can” statements): |
I can draw a proportionate human face. I can draw using the grid method. I can draw using a reference photo of myself. I can plan and create a self-portrait using examples from artists in history and |
Materials: |
Drawing pencils Large kneaded erasers T square rulers Acetate paper Black ultra-thin sharpie 16 x 22 white drawing paper for final copy 16 x 22 white drawing paper for rough copy 8 x 11 student photos printed after using 1:1 devices. PowerPoint presentation Masking tape Magazines Student Handouts: Grid method packet with examples, steps, and practice How to draw facial features packet How to use different shading techniques Grading rubric Peer Review Self Reflection |
Curriculum integration areas: |
Connecting Mathematics with Art. Grid drawing involves measuring and making ratios of 1:2 for the scale and size of the grid. Multiplication and division will be used to make the grid larger or smaller. |
Motivation or anticipatory set: |
Artists and their Self Portraits video clip in Intro PowerPoint |
Curriculum integration areas: |
Connecting Mathematics with Art. Grid drawing involves measuring and making ratios of 1:2 for the scale and size of the grid. Multiplication and division will be used to make the grid larger or smaller. |
Motivation or anticipatory set: |
Artists and their Self Portraits video clip in Intro PowerPoint |
Procedures: |
Day 1 · Introduce the students to the Unit plan with the motivation PowerPoint followed by the Art History Mini Lesson on Chuck Close. · Have students discuss what they learned from the mini lesson and discuss what they would rate their self portrait drawing skills at 1-10 and how they feel about drawing self portraits. · Then handout the facial drawing packet out. Start with explaining head shapes and drawing heads. · Have students practice different heads. Including their own and those at their art table in their drawing packet. · After practice instruct students on how to draw the proportionate lines on a face to have correct proportions. Which they will practice adding to the 5+ heads they have drawn. Students should then practice using the whole back page of the packet to draw a full head and proportion lines. · Have students then use their device to take selfies in multiple appropriate poses showing different emotions Day 2 · Start the class with the Selfie Art Production 1 mini lesson · Instruct on how to draw eyes and eyebrows. · Have students practice 6 different eyes and eyebrows in the packet · Instruct on how to draw eyes and eyebrows on a proportionate face with the full head they drew last class on the back of the packet. · If there is extra time have the students practice drawing another student in class’s realistic eyes and eyebrows. · While the students are practicing call them up one at a time to discuss their selfies and which one they feel is there strongest. Day 3 · Start the class with the Art Criticism 1 mini lesson · Introduce how to draw lips · Have students practice drawing 6 pairs of realistic lips showing different emotions. Using magazine examples and their packets. · Once practice is done in their packet have students then add a mouth to the proportionate head on the back of their packet that they have drawn. · If time have students practice modeling for their classmates and drawing their classmates mouths. · While students are practicing continues to meet 1 on 1 with students to discuss their chosen selfie Day 4 · Start the class with the Aesthetic 1 mini lesson · Instruct students how to draw realistic noses. · Have the students practice in their drawing packets 5 different noses. · Then have them draw a final practice on the back of their packet on the large proportionate face. · If time have students study a classmates’ nose and practice from a live model. Day 5 · Start the class with the Creativity 1 mini lesson · Instruct students on how to draw hair. · Using magazines students will practice drawing hair on the 5 given heads in their packet. · Once done students are to add hair to their proportionate head on the back of the packet. · If there is time students will practice drawing the hair of a classmates or that from a celebrity in a magazine. Day 6 · Start the class with the Art History Vincent Van Gogh mini lesson · Have students discuss what they think the grid method is at their table giving an example and explain it. · Students will receive a grid drawing packet. · Instruct students how to create a view finder and it’s importance · Have students create their own 1inch by 1inch view finder · Instruct students on how a grid is used and the short history behind it. Recall students learning about Chuck Close and how he used a grid at this time. · Instruct and show an example of how to use a grid to copy a photographed image. · Have the students practice grid drawing in the packet number 1 and 2. · Walk around the room to help students and provide feedback. · If there is time students can practice Number 3 or take it for practice at home. Day 7 · Start the class with the Art Production 2 mini lesson · Instruct students on a 1:2 ratio provide examples and ask students for others · Instruct students how to create a grid on their printed chosen selfies 1inch by 1inch · Have students create the grid on the acetate paper that will go on top of their selfies · Instruct students how to create their grid on the final larger paper. · Help students that may need assistance Day 8 · Start the class with the Art Criticism 2 mini lesson · Review with students their final project with the grading rubric · Make sure that all students have their grids complete on both the final paper and acetate paper over their chosen selfie. · Instruct students on how to start at the bottom left corner of their picture and using a pencil draw the contour lines of their selfie · Students start to draw on their final paper · Walk around to take note of students that need more guidance and verbally comment on the positive things students are doing in their work. Example drawing lightly, using the view finder to focus just on one square, etc. · For the rest of class have students continue to work on transferring their contour lines in their selfies from the photograph to the final paper. Day 9 · Start the class with the Aesthetic 2 mini lesson · Check in with students as a class to see how far they have gotten with their contour lines. · Have students work for the class period on contour lines. · Visit with each student to see where they are and what they may need help with fine tuning. Day 10 · Start the class with the Creativity 2 mini lesson · Check in with students as a class to see how far they have gotten with their contour lines. · Have students work for the class period on contour lines. · Visit with each student to see where they are and what they may need help with fine tuning. Day 11 · Start the class with the Art History Frida Kahlo mini lesson · Check in with students as a class to see how far they have gotten with their contour lines. · Have students finish their work for the majority of the class period on contour lines. · With the last ten minutes of class have the students complete a gallery walk. Walking around and peer reviewing. Providing feedback in the student’s journal next to the work of art. · Remind students to be respectful while critiquing this exercise is to be helpful not hurtful. Day 12 · Start the class with the Art Production 3 mini lesson · Allow the first 10 minutes to be used to fine tune any areas of the contour using the peer feedback from last class. · Instruct and give examples to the students on the different techniques of shading. · Have students practice the different shading techniques using a value bar. · By the end of the class students should know which shading technique they will be using on their final selfie. Day 13 · Start the class with the Art Criticism 3 mini lesson · Instruct students on the importance of starting light with their value in shading. It is easier to add to go dark but hard to go back to light. · For the remaining of the class period students should work on adding their shading to their selfies. Day 14 · Start the class with the Aesthetic 3 mini lesson · Instruct students to use the class period to continue to work on their shading · Walk around and check on students who need help and provide small group instruction to practice the shading skills. Day 15 · Start the class with the Creativity 3 mini lesson · Instruct students to use the class period to continue to work on and finish their shading. · When students are done have then hang their work and picture on the wall and take a few steps back and review their work. · If students finish early they can begin the reflection worksheet reflecting back on the project and self grading. |
Vocabulary (with definitions): |
Shape- A closed line creating an object. Value- Difference in hue or neutral ranging from the lightest to darkest, for example, white to black. Grid- A pattern of horizontal and vertical lines spaced out at regular intervals forming squares. Portrait- A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expression is predominant. The intent is to display the likeness, personality, and even the mood of the person. Grayscale- A scale made up of equal gradations ranging from white to gray to black. Texture- The visual feeling of a surface. Photorealism- an art movement of paintings which resemble photography with the amount of detail. Color- created by light. There are three properties of color: Hue (name) Value (shades and tints) and intensity (brightness). Unity- the harmony of all the visual elements in a composition. Emphasis- a center of interest, which might be the largest, brightest, or lightest subject. Contrast- shows differences between the elements of art, which are line, color, shape, value, space, and texture. Repetition- the use of line, color or a motif, in more than one place in a composition. Line- is the path of a moving point |
Visual aids/resources: |
Photos of artists Artist websites Grid examples large Example of final project |
Assessments: |
Class Gallery Walk Peer Review using a student rubric Student Rubric for scoring by the teacher |
Closure: |
Have students finish their Self Reflection. Complete a class gallery walk with artwork hanging on the walls and have students critique the work. Ask students to rate how they now feel about self portraits compared to at the beginning of the unit. Have the students turn in their finished grid self portrait and teacher will grade them with the rubric. Students artwork will then be put on display in the school hallway. |
Accommodations to address the needs of exceptional children (remediation and extension): |
Remediation: Allow students to pick an easier photo Allow students to use larger square grid or draw the grid for them. Allow students to do simpler facial features Scaffold for students on head shape and size, facial features and shading. Provide small group and one on one instruction Allow students to use large pencils Modified readings and size of text Extension: Allow students to include hands in their poses to make it more challenging Allow students to not use the grid method Offer students a harder shading technique (stippling) |
Technology resources: |
https://www.youtube.com/watch?v=7EE4sD-5YRU https://www.youtube.com/watch?v=9K6fvon-ghY Online Grid Paint Drawing Tool Pixilart Online Program |
Technology tools: |
Teacher Computer 1:1 student device Overhead projector Smartboard Document Camera PowerPoint |
Sample Unit Plan:
Color, Line, Texture
Summary: | (Brief overview of lesson/unit.)
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Standards: | (What standards will the lesson/unit address?)
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Objectives: | (Brief overview of lesson/unit.)
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Learning Targets: | (What will students be able to do? )
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Technology: | (How will technology be integrated in the lesson/unit?)
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Assessments: | (Evidence of student learning. ? How will feedback and recognition be provided? Identify if formative or summative by either a (F) or (S))
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H.O.T Questions: | (What Higher Order Thinking Questions do you want your students to be able to answer at the end of the lesson/ unit?)
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Summary: | (Brief overview of lesson/unit.)
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Standards: | (What standards will the lesson/unit address?) VA:Cr2 .2.3, 2.4 VA: Re 9. 2.3, 2.4 VA:Cn10.1.3, 1.4 VA:Cn11.1.3, 1.4 | |
Sample Unit Plan: Color, Line, Texture | ||
Objectives: | (Brief overview of lesson/unit.)
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Learning Targets: | (What will students be able to do?)
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Technology: | (How will technology be integrated in the lesson/unit?)
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Assessments: | (Evidence of student learning. ? How will feedback and recognition be provided? Identify if formative or summative by either a (F) or (S))
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H.O.T Questions: | (What Higher Order Thinking Questions do you want your students to be able to answer at the end of the lesson/ unit?)
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